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Charlot, \u201cEski Hawai’i’de \u0130nsan ve Do\u011fa \u0130li\u015fkisi\u201d (1949) yap\u0131m\u0131yla bitirilebilecek, burada kalmaya karar verdi. New York, Georgia, California ve Meksika’da \u00e7al\u0131\u015facaklar\u0131n ikametgah\u0131, planlama ve Guggenheim Bursu i\u00e7in yirmi y\u0131l boyunca harekette ve sonra Colorado Springs G\u00fczeller Merkezi’nde arka okul idaresini sonra okula sonra e\u011fitimlerini tamamlama. Manoa’daki Hawaii \u00dcniversitesi’nde arka b\u00f6l\u00fcm\u00fc ile. Charlot, Paris’teki \u00c9cole des Beaux-Arts’ta okudu ve daha sonra Meksika’da bir d\u00f6nem sona ermi\u015f, burada Maya duvarlar\u0131n\u0131 yeniden tasarlad\u0131lar ve burada yeniden planland\u0131 olarak yeniden tasarlanm\u0131\u015f ve devrim uygulanacakt\u0131r. . Diego Rivera’n\u0131n. Ancak Polinez’da, yerli Hawailerin ve sizin kullan\u0131c\u0131lardan gelen as\u0131rl\u0131k geleneklerini macera\u00e7a, do\u011faya \u00f6zel bir be\u011feniden ho\u015flan\u0131r. Bundan \u00f6nce Charlot’s arka, maddi d\u00fcnya manevi d\u00fcnyadan ayr\u0131 olarak ve Meksika Yerli geleneklerine yorumlar\u0131n\u0131 yans\u0131tm\u0131\u015ft\u0131. Birlikte birlik i\u00e7inde Hawaii’de, yerli halklar egemenlik alan\u0131 akua<\/em>(tanr\u0131lar) elementlerde t\u0131sl\u0131yordu: kutsallar\u0131n bir hulada uzuvlar\u0131 arac\u0131l\u0131\u011f\u0131yla ki\u015file\u015ftirecekleri kabaran birda veya bir kayadan yay\u0131lan ve bir ki\u015finin zihnini sakinle\u015ftiren ya\u015fam g\u00fcc\u00fcnde. kahuna<\/em>(rahip) meditatif bir Duruma do\u011fru.<\/p>\n<\/div>\n<\/div>\n\n
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M\u00fclk\u00fcn \u00fcst\u00fcndeki \u00fc\u00e7 lanaiden biri, sanat\u00e7\u0131n\u0131n el boyamas\u0131 seramik karo petroglif frizi ile.<\/span> kredi…<\/span> Mariko Kam\u0131\u015f<\/span><\/span><\/span><\/div>\n<\/div>\n\n
Yemek yemek, bir duvar hapu\u02bbu<\/em>– Hawai Adalar\u0131’n\u0131n \u00e7o\u011funa \u00f6zg\u00fc bir e\u011frelti otu – evrensel sekoya duvarlar\u0131n genel olaylar\u0131 tamamlar.<\/span> kredi…<\/span> Mariko Kam\u0131\u015f<\/span><\/span><\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n
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Manoa’daki Hawaii \u00dcniversitesi’nde fahri din destekleyici olan\u0131n 81 o\u011flu olan John Charlot, bu \u201cd\u00fcnyay\u0131 g\u00f6rmenin hedefinde\u201dnin babas\u0131nda kalan 30 y\u0131l boyunca ada \u015fey oldu\u011funu s\u00f6yl\u00fcyor. hayat\u0131n. 1979’daki k\u0131rk sonra, Char’\u0131n fazla bir s\u00fcre boyunca yeti\u015ftirilen hem nesiller boyu bir yetenek hem de eski arkada, insan ve maneviyat\u0131 benzer \u015fekilde derin Hawaii ideolojisinin bir \u00f6rnek olarak g\u00f6r\u00fcl\u00fcyor. John, \u201cMeksika’daki Hristiyan Tanr\u0131’ya ve ac\u0131 ac\u0131 \u00e7ekiyorsunuz\u201d diyor, oysa Hawaii d\u00fcnya g\u00f6r\u00fc\u015f\u00fcnde \u201czevk \u00fczerinden\u201d.<\/p>\n<\/div>\n<\/div>\n
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Sanat\u00e7\u0131n\u0131n Oa’daki ilk evi olan Charlot House’un Do\u011fu\u015ftan Zevk do\u011fal haliyle ayn\u0131 gelenden gelendir. Kar\u0131s\u0131 kamp\u0131n\u0131n okulunda y\u0131llar\u0131n\u0131 ge\u00e7irecek olan Charlot, kapsaml\u0131 Zohmah ve \u00e7ocu\u011fuyla birlikte olan Charlot, tam kapsaml\u0131 programlar\u0131n\u0131 olan adalara olan takdirini de uygun bir ev in\u015fa etmek istedi. Kahala Plaj\u0131’n\u0131n yan\u0131nda 10.310 metrekarelik bir arsa \u00fczerinde yer alan iki katl\u0131, 2.856 metrekarelik, esas olarak sekoya ve betondan in\u015fa edilmi\u015f olup, iki \u015fekilde kuru s\u0131va ile kaplanm\u0131\u015ft\u0131r. hapu’u<\/em> Hawai bitki yeti\u015ftirmet\u0131bb\u0131nda kaslar\u0131 yeti\u015ftirilmedi\u011fi endemik birrelti otu. Konsollu bir masa, yemeklerden gelen cam pencerelerin bir lanaiden taraf\u0131ndan uzan\u0131yor ve d\u0131\u015f mekandan yararlanan 558 fit kare veranda alan\u0131ndan. Ayn\u0131 \u015fekilde, Charlot’un arkada\u015f\u0131 Oahu do\u011fu\u015ftan duvar ressam\u0131 Juliette May Fraser ile oturma odas\u0131n\u0131n tasar\u0131m\u0131nda ye\u015fil \u00fczerine muz, papaya, ku\u015f ve k\u0131rm\u0131z\u0131 ve ti’nin a\u011f\u0131r, esneyen tasar\u0131m\u0131ndan olu\u015fan 12 fit kare fresk de \u00f6yle \u00f6yle. ev hala \u00fcretim iken \u00e7ift duvarlar.<\/p>\n<\/div>\n<\/div>\n\n
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Oturma “bir seramik bah\u00e7e resmi.”, bir seramik bah\u00e7e resmi.<\/span> kredi…<\/span> Mariko Kam\u0131\u015f<\/span><\/span><\/span><\/div>\n<\/div>\n\n
Yemek yemek, h\u0101pu’u ile bir duvar ve konsollu ah\u015fap masan\u0131n \u00fczerinde George Nelson’dan sonra bir kolye.<\/span> kredi…<\/span> Mariko Kam\u0131\u015f<\/span><\/span><\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n
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1958′ tamamlanan, pahal\u0131 Kahala yatakte modelleriyle \u00fc\u00e7 katl\u0131, iki katl\u0131 \u00e7iftlik evi Charlot ve yerel bir olan George \u201cPete\u201d Wimberly ile i\u015fbirli\u011fiydi. Projeye, Charlot’un tavan aras\u0131 aras\u0131nda ana yataklar\u0131n bu iki adam, engelsiz manzaras\u0131n\u0131 i\u00e7in gerekli bir destek deste\u011finden vazge\u00e7mek gibi bir imkans\u0131z mimari mimariyle ilgili zaman zaman anla\u015famad\u0131.<\/p>\n<\/div>\n<\/div>\n
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Ve yine de Wimberly ba\u015fard\u0131. Vladimir Ossipoff ve Alfred Preis’i i\u00e7eren se\u00e7kin bir uygulay\u0131c\u0131lar \u00e7emberinin par\u00e7as\u0131 olan ba\u015far\u0131l\u0131 bir tropikal Modernist, Charlot’un d\u0131\u015f mek\u00e2n\u0131 kucaklayan orta \u00e7a\u011f tasar\u0131m ilkelerine olan takdirini payla\u015ft\u0131: \u00d6rne\u011fin, ba\u015ftan sona organik yap\u0131 malzemelerine g\u00fcvendiler ve yap\u0131y\u0131 \u00f6yle y\u00f6nlendirdiler. klima yerine \u00e7apraz esintilerle d\u00fc\u015f\u00fcr\u00fclebilir. (Bug\u00fcn, d\u00fcnyadaki birdalar\u0131n serinleyen ticaretlerindeki de\u011fi\u015fiklikler nedeniyle) Wimberly’nin turizm sekt\u00f6r\u00fcne y\u00f6nelik olan sahil tatil k\u00f6yleri, Honolulu evlerinden baz\u0131lar\u0131 ile di\u011fer proje kapsam\u0131ndaki Charlotte House se\u00e7imleri. Honolulu’daki Kokomo St\u00fcdyosu’nun mimar\u0131 ve mimari okutman\u0131 Graham Hart, “Bu, konutlar\u0131 aras\u0131nda en az radikali” diyor ve “bu bir hakl\u0131”.<\/p>\n<\/div>\n<\/div>\n
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![](\"https:\/\/magazinhaberturkiye.com\/wp-content\/uploads\/2022\/08\/hawaiiyi-kutlayan-bir-ressamin-evi-0-QTXvmQaA.jpg\"\/)
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Giri\u015fte, Charlot taraf\u0131ndan Papatya taraf\u0131ndan kullan\u0131lanvitray paneller ve y\u00fczen bir merdivenin \u00fczerindeua Yeni Gine maskeleri.<\/span> kredi…<\/span> Mariko Kam\u0131\u015f<\/span><\/span><\/span><\/div>\n<\/div>\n<\/div>\n\n
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Charlot House di\u011fer’un Wimberly’nin binalar\u0131yla bir \u015fey, oyun bir a\u00e7\u0131klama. Uzun bir yolu, Charlot’un kendi \u00e7ini duvar resimlerinden araba kakma bir al\u00e7\u0131 duvarla \u00e7er\u00e7evelenmi\u015f d\u00fcz ah\u015fap bir levha olan bir \u00f6n kap\u0131ya s\u0131nav; bu, aldat\u0131c\u0131 bir ma\u011faradad\u0131r. Birinci katta, sadece iki metrelik al\u00e7ak bir tavan, evi ge\u00e7it t\u00f6reni ve yemek salonlar\u0131 aras\u0131nda bir ge\u00e7it t\u00f6reni. mauka<\/em>ve makai<\/em> yerelle\u015ftirilmi\u015f bir d\u00fczen ve dinamizm i\u00e7in ekleyen, da\u011flara ya da deniz olarak bakan alanlar odac\u0131klar\u0131. John, \u00e7ocu\u011fu hat\u0131rlayarak, \u201cHer zaman bir moda gidiyormu\u015f gibin\u201d diyor. \u201cOyunda hareket ve kozmik alan vard\u0131.\u201d<\/p>\n Sosyal bir \u00e7ift olan Charlot ve kar\u0131s\u0131, aday ziyaret eden veya deneyim sanat\u00e7\u0131lar\u0131 s\u0131k s\u0131k e\u011flendirdi. Max Ernst, Carlos M\u00e9rida, Madge Tennent, Jos\u00e9 Clemente Orozco ve Tseng Yuho da duvarlar\u0131n\u0131 arka ile doldurdular. First Hawaiian Bank’\u0131n Waikiki \u015fubesi ve United Public Workers gibi yerel kurulu\u015flar i\u00e7in tamamlanmaya devam etmek iki d\u00fcz Hawaii duvar\u0131n resmi resmini saran mantar g\u00f6r\u00fcn\u00fc\u015fe eskizler ili\u015ftirdi. Honolulu’daki sendika merkezi. Son s\u0131n\u0131fta, ayn\u0131 zamanda evin yat\u0131l\u0131 olan bir mimarl\u0131k y\u00fcksek lisans \u00f6\u011frencisi taraf\u0131ndan – 2001 y\u0131l\u0131nda, Char Evi, aile taraf\u0131ndan yerel korumac\u0131larla birlikte \u00e7al\u0131\u015fan \u00fcniversiteye hediye edildi. de\u011fi\u015ftirilemez. Haziran ev, \u015fans\u0131n\u0131 a\u015f\u0131lamadan olan a\u015f\u0131n\u0131n iade edildi.<\/p>\n<\/div>\n<\/div>\n
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Verandada, Antonio Bonet, Juan Kurchan ve Jorge Ferrari Hardoy taraf\u0131ndan Kelebek Sandalyeler olarak da \u201cbir \u00e7ift BFK koltuk var.<\/span> kredi…<\/span> Mariko Kam\u0131\u015f<\/span><\/span><\/span><\/div>\n<\/div>\n\n
Oturma odas\u0131n\u0131n ba\u015fka bir g\u00f6r\u00fcn\u00fcm\u00fc. \u00c7amur in\u015faat zeminler, Charlot’un do\u011fal yap\u0131 malzemelerinden tesisat\u0131n\u0131 yans\u0131t\u0131yor.<\/span> kredi…<\/span> Mariko Kam\u0131\u015f<\/span><\/span><\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n
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El boyamas\u0131 seramik karo duvar resmi olan \u201cKutsal Kalp\u201d (1957) ile evin sekoya cephesi.<\/span> kredi…<\/span> Mariko Kam\u0131\u015f<\/span><\/span><\/span><\/div>\n<\/div>\n<\/div>\n\n
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CHARLOTS hala burada ya\u015farken, deneyen ve geni\u015f aile gruplar\u0131yla birlikte organize olarak luaus’u geni\u015f \u00e7imenlikte a\u011f\u0131rlad\u0131lar; ayinlerini ve geleneklerini betimleyen \u00e7al\u0131\u015fmas\u0131 i\u00e7in, Charlot yerel toplulukta herkes taraf\u0131ndan sayg\u0131 duyulur. 1975 y\u0131l\u0131nda bir onur yak\u0131n d\u00f6v\u00fc\u015f<\/em> (\u015fark\u0131), ge\u00e7irmi\u015f bir farden olan olan Irmgard’ye ve s\u00f6zleri hula ve AIDS aktivisti olan Frank Kimona “Palani” Kahala’ya ait olan “Keoni Kalo”, Charlot i\u00e7in ba\u015fka hi\u00e7 bir \u015fekilde, belki de yak\u0131nla\u015facakt\u0131r. \u201cK\u016b kilakila i ka la’ia puni i n\u0101 pua\u201d diye devam ediyor; bir \u00e7eviriye g\u00f6re, \u201c\u00c7o\u011fu insanla \u00fclkedesukunet i\u00e7inde \u015fanl\u0131 bir \u015fekilde duruyorsunuz.\u201d<\/p>\n<\/div>\n<\/div>\n\n
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Charlot House, Meksika esintili tu\u011fla zeminlerden, Papua Yeni Gine’nin konsollu merdivenlerinin \u00fczerinde ya da maskelerine \u00e7ok k\u00fclt\u00fcrl\u00fc oldu\u011fu i\u00e7in, yeti\u015ftirdi\u011fi evlat edindi\u011fi evle olanl\u0131\u011f\u0131n\u0131 en \u00e7ok anlat\u0131yor. Binan\u0131n her yerinde dola\u015fan bir darbe gibi, Charlot elle elle tutulmu\u015f ve k\u00fc\u00e7\u00fck i\u00e7 ve d\u0131\u015f cephede k\u00fc\u00e7\u00fck k\u00fc\u00e7\u00fck fig\u00fcrlerini g\u00f6steren Hawaii esintili petroglif olu\u015fan 167 seramik karodan olu\u015fan bir friz, g\u00f6z ard\u0131 edilemez bir hat\u0131rlat\u0131c\u0131 g\u00f6revi. Hawaii’de ziyaret eden herkes i\u00e7in. Di\u011fer ikilerinden petroglif karo daha sahte d\u00f6k\u00fclerek, Charlot’lar\u0131n geneli geli\u015fen bir cam masan\u0131n alt\u0131nda, bir lanai’nin zeminine yerle\u015ftirildi. Bu seramik seramiklerden dikkat \u00e7ekici olsa da, ondan \u00f6nce bir \u015feyden \u00f6nce, bir ba\u015fka hat\u0131rlatmac\u0131 evin, ge\u00e7mi\u015f bir Hawai ev ile ilgili seramiklerden biri aileyi ya da en b\u00fcy\u00fck olanlardan biri.<\/p>\n
Foto\u011fraf asistan\u0131: Dalton Harrington<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"
FRANSIZ Amerikal\u0131 muralist Jean Charlot, 1949’da Honolulu’daki Manoa’daki Hawaii \u00dcniversitesi’nde yeni in\u015fa edilen bir y\u00f6netim yap\u0131s\u0131n\u0131n …<\/p>\n","protected":false},"author":1,"featured_media":52318,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[4579,4596],"class_list":["post-52317","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-magazin-haberleri","tag-bu","tag-hawaii"],"yoast_head":"\n
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